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The Music of Louis DeFelice


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Muchmore's - Brooklyn

Sunday, June 24th | 9:30pm | Free

Bowery Electric - Manhattan

Sunday, July 1st | 10:30 pm | $5/21+

Pianos - Manhattan

Tuesday, July 31st | 10:00 pm | $8/21+


[To read a recently published profile of Louis, click here.]

Born in Columbia, South Carolina, Louis grew up listening to and loving the music of Johnny Cash and Simon & Garfunkel. Later taking interest in contemporary folk artists such as Damien Rice and The Avett Brothers, he took a break from guitar and picked up the banjo. Starting to fingerpick 'Scruggs style," he developed something that resembled musical ability. When he switched back to guitar a year or so later, he could translate the banjo's fingerpicking style to play the guitar-oriented songs of the writers he admired.

Though he enjoyed playing music, Louis mostly spent his time between age 14 and 20 studying classical ballet. Training at several conservatories, including the Royal Ballet School in London, and performing professionally by age 19, he was completely immersed in the art form. Music was a hobby, ballet was a religion.

Louis's interest in writing songs grew during his years off between high school and college. Saving some money to buy a microphone, he started making recordings for SoundCloud in the one-bedroom apartment he shared with two other ballet dancers in Washington, D.C. Finding that he could record and edit for hours on end without eating or feeling like he was working, he had found something that could compete with ballet for his energy. Discovering this passion and, at the same time, being accepted at Yale University, Louis danced for the final time in a May 2015 performance at the Kirov Academy in Washington, D.C.

In the fall of 2015, Louis enrolled at Yale. Finding a semi-soundproof practice room in which he could record, he would bring a suitcase of audio gear there several nights a week and build a makeshift recording studio. Learning as he went along, he recorded for family, friends, and a dozen or so folks on SoundCloud. Encouraged by friends to gather the songs into an actual album, he started to set his sights on that.

louis holland defelice music photo albumFinding a partner in Edward Lidow, an engineer at Miami's Hit Factory, he had someone with the skill to raise the relatively homemade recordings to a professional level and with whom he could develop ideas and improve arrangements. Recording in earnest through the winter of 2015-16, Take Me by My Words was completed in the spring and released on May 1st, 2016.

The summer of 2016 brought a hiatus from music while Louis lived and worked in the Netherlands. In the fall, Louis returned to he padded rooms to record a full-length album. Tin Stars was released on April 1st, 2017. He was again aided by Ed Lidow, the talented instrumentalists who contributed to the EP, and many more musicians who lent a much-needed amount of musical decency to the project.

Louis released two more full-length records in as many years: 2018's Morning Airs and 2019's Song's for a Pseudonym. The former was the product of a year of sudden, immense losses and slow, unexpected gains. The album treats the subjects of grief and heartache, as well as the bittersweet sentiments that accompany new feelings of love, affection, and devotion. It was Louis's first time producing, mixing, and mastering his own music, and his first round of recording with Hersh Gupta (Saxophone), Catherine Cerise (Viola), and Jerilyn McLean (Mandolin, Vocals). The artwork was created by Rayne MacPhee.

Louis currently lives in Brooklyn. He spends his time producing and engineering music for other emerging artists and working as a sound engineer/designer for film and T.V. post production.

Songs for a Pseudonym | May 2, 2019.

Morning Airs | May 1, 2018.

Tin Stars | April 1, 2017.

Take Me by My Words | May 1, 2016.